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c. 1445 – May 17, 1510. Italian painter.

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michael pacher
St Anthony of Padua and St Francis of Assisi

ID: 63700

michael pacher St Anthony of Padua and St Francis of Assisi
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michael pacher St Anthony of Padua and St Francis of Assisi


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michael pacher

Michael Pacher (c. 1435??August 1498) was an Austrian Tyrolean painter and sculptor active during the last quarter of the 15th century. His best-known work is the altarpiece at the church in the village of St. Wolfgang, Austria. This altarpiece contains scenes from the life of Jesus and the Virgin Mary. His influence is primarily North Italian, and his work shares characteristics with that of painters such as Andrea Mantegna; however, German influences are also evident in his work, especially in his wood sculpture. He was most active from 1462 until his death. Pacher was one of the earliest artists to introduce the principles of Renaissance painting into Germany. He was a comprehensive artist with a broad range of skills: sculpting, painting, and architecture of complex wood and stone. He painted structures for altarpieces on a scale unparalleled in North European art. His work is frequently correlated with the work of Andrea Mantegna.   Related Paintings of michael pacher :. | Seven Sacraments Altarpiece | Erminia among the Shepherds | Le Faux Pas(The Mistaken Advance) (mk05) | Portrat of a young man | Charles IV as a huntsman |
Related Artists:
MEMMI, Lippo
Italian Byzantine Style Painter, ca.1290-1347
diisseldorf

Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.






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